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This is the first serious biography of a man widely considered one of Texas’—and America’s—greatest songwriters. Like Jimmie Rodgers, Woody Guthrie, Robert Johnson, and Hank Williams, Townes Van Zandt was the embodiment of that mythic American figure, the troubled troubadour. A Deeper Blue traces Van Zandt’s background as the scion of a prominent Texas family; his troubled early years and his transformation from promising pre-law student to wandering folk singer; his life on the road and the demons that pursued and were pursued by him; the women who loved and inspired him; and the brilliance and enduring beauty of his songs, which are explored in depth. The author draws on eight years’ extensive research and interviews with Townes’ family and closest friends and colleagues. He looks beyond the legend and paints a colorful portrait of a complex man who embraced the darkness of demons and myth as well as the light of deep compassion and humanity, all “for the sake of the song.”
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Product details
Series: North Texas Lives of Musician Series (Book 1)
Paperback: 320 pages
Publisher: University of North Texas Press (November 15, 2009)
Language: English
ISBN-10: 9781574412857
ISBN-13: 978-1574412857
ASIN: 157441285X
Product Dimensions:
6 x 1 x 9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
66 customer reviews
Amazon Best Sellers Rank:
#109,313 in Books (See Top 100 in Books)
I read this book with the hope of getting some insight into the personality and songwriting skills of Townes Van Zandt. Many great songwriters praise his work and cite him as inspiration in their own craft. As a songwriter myself, I was seeking to know the qualities he had that made him so good. I thought the author did a great job of balancing his life story with his musical journey. It is my opinion that many times a biographical author will get so caught up in the details (drugs, alcohol, romances, etc.) that the songwriting and music takes a lower level of importance in the story. Hardy seemed to keep it in the forefront even as he masterfully told the life (and death) story of Townes without ignoring the details mentioned. His presentation of the many people (family, friends, wives, children, performers, and fans) and the roles they played in Townes' life was weaved into the story much like in a novel. It is apparent that he had some kind of bi-polar disorder in a time when this was not very well understood. Sometimes I hated Townes as I read, other times I absolutely thought he was the most genuine, giving, and likable person.There is truly a lot of information on his songs and many lyrics, which was great for me. I found it helpful to go to You Tube when a particular song was talked about in the book. There are many wonderful postings there that gives the listener a good impression of Townes' body of work. Look for the live videos. You can see the gradual degradation in his singing voice and guitar playing as he ages and progresses in his alcoholism. Still, the words of his songs are for the most part... well, truth.
I recall the first time I heard Poncho and Lefty and immediately picked up the cover to see who wrote it. Townes Van Zandt. That was the beginning of my appreciation for his talents. The book is probably a must read for many, it was for me and it certainly told me a lot about the man and his life. That said, it went on way too long. One reviewer referred to a slow motion train wreck and maybe that's a good way to put it. Since most of his time was spent drinking and drugging himself to death, the detailed account becomes both morbid and repetitive. A songwriter and troubadour's itinerant life may make for some fine music but sometimes does not make for a prolonged read. Repeating the lyrics along with explanations probably reveals more about the author than the songwriter. That said,the writing is thorough and appears balanced and I read it in one sitting on a long overnight flight to Nairobi. Townes's music stands on its own and reading about him doesn't turn on more lights - that day I first heard Poncho and Lefty was enough...and listening to his tunes still is...although I don't fault the author for the often-sad tale he had to tell. That was the story.
I bought this book for a man I really cared about as a birthday present. He loved it! Then he got me socks for my birthday... moral of the story? Love is overrated and most men are clueless idiots.
As all dedicated Townes fans already know, our eloquent troubadour and muse had a very dark side.Imagine that!?Like John Lennon, Jim Morrison, Kurt Cobain, that guy from Alice In Chains and that other guy from Joy Division...There were things I wanted to know, such as in, "Snow Don't Fall"? Who was the murdered girlfriend? Or, who yanked the gold tooth out of his head with a household pliers?Another thing, who thinks that his third wife was a greedy, low-life skank of a critter who bilked him out of everything he had?This is a courageous effort to tell the story as true as it was and still is. I think Robert Earl Hardy did his job very well. He lays the story down with honesty and heart.I'd rather have it more real than we've got, and if the truth be told I'd rather that than not.Recommended.
This is for now the best biography I know of we can get on obscure, reclusive Townes Van Zandt, often thought country's music finest writer. You will at least know Pancho and Lefty. I wish this text paused more and created scenes in the cinematic manner of a multi-volume Elvis bio. Maybe I'll write that myself. Until then,
This was an excellent book. Exactly what I was looking for in wanting to know more about townes van zandt, his life, what made him tick. It was meticulously researched and it comes thorugh in the writing. There is plenty of insight and anecdotes. I'd elaborate, but instead I'll just say read it if you're interested.I do have one major gripe with the author. After establishing from the beginning of the book that Townes wanted the meaning of his songs to be interpreted by the listener, that they could mean different things to different people (which is what good poetry should do), Hardy goes on to give these readings of the song that border on pompous. He doesn't say, "this is my view of the song," he says "this is what townes was saying when he wrote it," and nine times out of ten this isn't based on anything. The book was well researched, but rarely did townes ever come out and say, "this is what this line means," so i think it is pretty audacious of the author to presume he is the authority on how to read into his lyrics. The book is still worth reading, but whenever the song interpretations came in I would get very annoyed and sometimes have to skip those sections.
I love Townes Van Zandt and his music. Until I read this book, I did not know much about him. Information about Townes is sort of hard to find. The author does a great job in getting interviews from the people who knew Townes the best. Townes comes across as an enigmatic, troubled genius. I recommend this book to anyone who appreciates the music of Townes Van Zandt. Steve Earle, friend of Townes, once said, "Townes Van Zandt is the best songwriter in the whole world, and I'll stand on Bob Dylan's coffee table in my cowboy boots and say that." I'm a big Bob Dylan fan, but I agree that Townes was a fantastic song writer. Reading about him was a real pleasure.
This is a very complete biography, starting with family history. I'm not finished yet, but very pleased.
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